In her professional life, Neumann boasts an
impressive hat collection: her first love is dancing and she’s been featured in
Broadway and off-Broadway shows like Annie Get Your Gun and Finian’s Rainbow.
But she’s also a respected journalist, offering dating and relationship advice
through her “Dating Diva Daily” site and other sites, like Match.com, and racking
up over sixteen million hits in the past two years. And she’s also a fitness
instructor. And a fortune teller. And a model. And a trapeze artist. And, on
one fateful occasion, a boxer.
Our interview begins with a joke about
Richard Nixon’s infamous “lost” eighteen and a half minutes of audio tape, an
odd start to be sure, but it’s here that we get our first - and definitely not
our last - of Neumann’s expansive, infectious and totally uncontrived laughter,
laughter that is at once full-blooded and effortless. Packed into a tiny frame,
Neumann’s personality escapes from every pore. Now in her early forties... ish,
Neumann was raised the daughter of an aerospace engineer and a teacher and
attended the University of Maryland, where she studied journalism. What first
appears to be a fairly typical upbringing, in fact sowed the seeds for
Neumann’s future “atypical transit.”
“The discipline that I learned at a very
early age [through dance] is why I think I’m able to succeed as a
multi-freelancer. I learned how to manage my time as a very little girl.” When asked
about her aspirations growing up, she quips, “my first dream when I was a
little girl was to be a paleontologist, but that didn’t happen, but dancer and
journalist did happen. I had my first journal at six-years-old and I still have
it. ’Today, Shannon gave me twelve cents for no reason,’ was the first entry.”
Two knee surgeries, a broken hand and countless
other confounding events have pushed and pulled and diverted and rerouted
Neumann’s path but each setback has provided her with even more tools to do
what she does best: communicate. The knee injuries and subsequent recoveries
that temporarily robbed her of her ability to dance eventually yielded two
books. “Dance was my soul and
suddenly I didn’t have that outlet and my release had been taken away from me.”
She also broke her hand delivering a (scripted) uppercut a little too close to
her co-star’s jaw, causing her to miss opening night. “I clobbered the hell out
of him. Took. Him. Down,” she states proudly.
In describing her recent change in approach,
Neumann notes that “in the last few years, I’ve kind of reached my goals in a
lot of places. I don’t feel the same overwhelming need to do another Broadway
show.” She describes how, early in her career, that she was totally overwhelmed
with emotion at the end of a show’s run. But now, when it’s finished, she’s
done. “Great show, peace out.”
It’s also clear that she has been left jaded
by the seemingly uncontrollable influx of reality TV stars into jobs
traditionally filled by trained professionals like Neumann. Where Broadway’s
great female roles were formerly played by the industry’s preeminent and most
talented performers, now, those roles are increasingly and unsettlingly filled
by ‘crossover stars,’ like Christie Brinkley. Neumann recalls Brinkley’s Roxie
in Chicago as “the most tragic performance I’ve ever seen. She can’t sing, she
can’t act, she can’t dance. I wanted to kill myself.”
So, what’s next? “I wish I’d been an Olympic gold
medalist. Did I miss out on that?” Neumann asks with only a hint of sarcasm.
Compared to most of us, she actually got pretty close. In the final minutes of
our interview Neumann reveals that, as a dancer, she “was the first person to
walk into the stadium [at the Opening Ceremonies for the 1996 Olympics in
Atlanta],” a moment that still moves her. “I have no idea how that happened.”
Well, in a way, it happened because Neumann puts herself everywhere and throws
herself into everything she does. “It never stops,” Neumann exclaims when
describing the doubt and frustration she has felt throughout her life and
career. And, even in this new phase of her life, neither does she.

